When you are faced with casting a voice actor for an animated production, there are certain things you have to know before you proceed. You can't just decide to make a production and then go hire a voice actor and hope everything turns out all right. Even if you have done a lot of work on the script, it is not going to come together unless you cast the right people for the spots. No matter how good the lines are, if the voice actor does not deliver them properly, then your vision is not going to be realized.
You may not even know what a voice actor delivering the lines properly entails. That's all right, if you are willing to turn over some of the creative process to the voice actor. But you have to know enough about it to cast a voice actor you know will do a good job. That means you understand what kind of character you are casting for, and that you consider all of the variables, like accent, before you look for someone to fill the role.
Is your character original and complex? Is he a rogue with a heart of gold and many shades to his personality? A character like that, even in an animated production, is going to need a voice actor that can pull off the complexities of the character. That means you are going to have to understand those complexities so that you can explain them to the voice actor—unless, of course, you are willing to give the actor creative license and see what happens. That is a valid approach, but it is best if you are doing that because you trust the performance chops of the voice actor, than because you're just hoping he knows more than you do.
If your character is a stereotype or an archetypal character, you will need a voice actor who can play a strong, even exaggerated, character. The inflections have got to be able to suggest that archetype. For instance, it takes a certain type of oily yet suave voice to play a Mephistophlean role and a voice with even more grease to play the weasel-type character. You know the type I mean. He's usually a fast-talking, small-time crook or a thin henchman. For your project, you have to find someone who can create that effect with his voice and the dialogue alone. The character isn't going to tell your audience he's a greasy henchman.
Does your character have an accent? If so, how realistic should it be? Not every voice actor can do an accent. It takes a lot of work and a real pro to pull off an accent like a native speaker. Think Hugh Laurie, who plays the lead character in House, M.D. He's an Englishman, yet you can't tell he wasn't born and raised on U.S. soil. The exaggerated accent can be done for comic effect or simply to suggest an accent. Audiences have a tolerance for bad accents as long as they are consistent and strong. You will have to know ahead of time that you need a voice actor that can do the accent you need, in the style you need it done.
You don't have to know every last thing about the character's voice before you cast, as small details are impossible to plan for and will be discovered in the process. However, you do need to plan ahead and know what to ask for when you approach an agency looking for a voice actor or seven.
Tuesday, November 25, 2008
The Most Overacting Actors: Take a Little Drama Off The Top
There are people in life who are exceptional actors, actors who could make you believe just about anything. Then, there are actors who aren't necessarily horrible, but their tendency to overact makes them about as believable as the Easter Bunny. Take myself, for instance, I am an overactor. I can't appear in front of an audience without overacting. I can't even stretch the truth without being completely dramatic. For me, it's a shame: I like to be on stage….and I really like to lie.
I am not alone in my tendency to overact. Our television and movie screens are filled with overacting men and women (and sometimes dogs (seriously Benji, let's tone down the whimpering)), overacting actors who take drama and make it a little too dramatic. The following is our list for the Most Overacting Actors, those who need a script for a chill pill.
David Caruso, CSI: David Caruso was good on NYPD Blue (good for all five minutes he was a cast member), but there is just something about his role in CSI that makes me want to slip him a Xanaz. With his deep voice, perpetually sunglassed face, and a tendency to speak a little too slowly and articulate a little too much, Caruso makes CSI raise the intensity level. But, then again, maybe that's the point.
Vincent D'Onofrio, Criminal Intent: Like David Caruso, I have really liked Vincent D'Onofrio in his previous work (Mystic Pizza forever, Vinnie), but he maintains a very obscure quality on Law and Order: Criminal Intent. In scenes where he is undercover as a married man, he comes across as gay, in scenes where he is supposed to pretend he is on the criminal's side, he comes across as patronizing, and in scenes where he is supposed to be happy…well, frankly, ya just can't tell. He nearly appears to be one emotion, all the time.
Tom Cruise: Hopefully, he can handle the truth. It isn't that I think Tom Cruise is horrible at acting, he just doesn't make certain roles all that believable. Well, that and he plays seemingly the same guy in most of his films. He's fine in movies like Top Gun or Risky Business (i.e., movies where he just needs to smile pretty for the camera), but could he pull off a role like Al Pacino in Scent of a Woman? No way. Oh well, at least he always has Scientology to fall back on…or whatever.
William Shatner, Star Trek: Though I absolutely love him in Boston Legal, he makes this list for his role in Star Trek. Sorry Willie, you've been beamed up. In this science fiction series, he became known for narration laden in drama and odd, long pauses………………….yes, kind of like that. Though this overacting is often parodied, you have to give Shatner credit: his acting style thrives in comedic roles and he looks pretty darn good for his age.
Keanu Reeves: First of all, let me apologize to all the Bill and Ted lovers out there. You're right, that movie was, in a word, excellent. In fact, I believe that was one of Keanu's best jobs as an actor. I don't assert this because he gave a heartfelt performance or because the role he played was on par with Jack Nicholson's Randle Patrick McMurphy in One Flew Over the Cuckoo's Nest. I say this instead because it was one role where he wasn't overwhelmingly stoic; it was a role that made him real. Did we believe that he was a high school slacker about to be sent to military school? Yes. Did we believe he was "the one" who could save the human race from slavery? Uh, not really
I am not alone in my tendency to overact. Our television and movie screens are filled with overacting men and women (and sometimes dogs (seriously Benji, let's tone down the whimpering)), overacting actors who take drama and make it a little too dramatic. The following is our list for the Most Overacting Actors, those who need a script for a chill pill.
David Caruso, CSI: David Caruso was good on NYPD Blue (good for all five minutes he was a cast member), but there is just something about his role in CSI that makes me want to slip him a Xanaz. With his deep voice, perpetually sunglassed face, and a tendency to speak a little too slowly and articulate a little too much, Caruso makes CSI raise the intensity level. But, then again, maybe that's the point.
Vincent D'Onofrio, Criminal Intent: Like David Caruso, I have really liked Vincent D'Onofrio in his previous work (Mystic Pizza forever, Vinnie), but he maintains a very obscure quality on Law and Order: Criminal Intent. In scenes where he is undercover as a married man, he comes across as gay, in scenes where he is supposed to pretend he is on the criminal's side, he comes across as patronizing, and in scenes where he is supposed to be happy…well, frankly, ya just can't tell. He nearly appears to be one emotion, all the time.
Tom Cruise: Hopefully, he can handle the truth. It isn't that I think Tom Cruise is horrible at acting, he just doesn't make certain roles all that believable. Well, that and he plays seemingly the same guy in most of his films. He's fine in movies like Top Gun or Risky Business (i.e., movies where he just needs to smile pretty for the camera), but could he pull off a role like Al Pacino in Scent of a Woman? No way. Oh well, at least he always has Scientology to fall back on…or whatever.
William Shatner, Star Trek: Though I absolutely love him in Boston Legal, he makes this list for his role in Star Trek. Sorry Willie, you've been beamed up. In this science fiction series, he became known for narration laden in drama and odd, long pauses………………….yes, kind of like that. Though this overacting is often parodied, you have to give Shatner credit: his acting style thrives in comedic roles and he looks pretty darn good for his age.
Keanu Reeves: First of all, let me apologize to all the Bill and Ted lovers out there. You're right, that movie was, in a word, excellent. In fact, I believe that was one of Keanu's best jobs as an actor. I don't assert this because he gave a heartfelt performance or because the role he played was on par with Jack Nicholson's Randle Patrick McMurphy in One Flew Over the Cuckoo's Nest. I say this instead because it was one role where he wasn't overwhelmingly stoic; it was a role that made him real. Did we believe that he was a high school slacker about to be sent to military school? Yes. Did we believe he was "the one" who could save the human race from slavery? Uh, not really
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